以酒商品闻名的公司百顺堂要推出新的传统酒，预计要举办一场派对让新产品正式亮相，行销组代理研儿和助手智由便提出要与知名餐厅合作的企划，但他们必须在有限的时间内找到与他们合作的公司。智由找到了一间名叫具秀的餐厅，却被主厨奇勳以“我们餐厅不卖酒”而拒绝了，但智由不死心，一定要让不卖酒的餐厅和百顺堂的新产品合作…

At first glance Costelus hardly resembles consatenii "I drinking, not drinking, smoking, not smoking, the curve and other sins do not go I, God forgive me. But though he is tempted by the charms let West "Like me and I saw in England in the evening. The oil, a big carp fishing" and goes to do his analysis to go "beyond." 　　Student short film made by Corneliu Porumboiu within UNATC

At first glance Costelus hardly resembles consatenii "I drinking, not drinking, smoking, not smoking, the curve and other sins do not go I, God forgive me. But though he is tempted by the charms let West "Like me and I saw in England in the evening. The oil, a big carp fishing" and goes to do his analysis to go "beyond." 　　Student short film made by Corneliu Porumboiu within UNATC

1984 PISMAK / WRITE AND FIGHT (screenplay by Wladyslaw Terlecki based on his own novel) - Set in a prison during World War I, the film centers on a journalist who aspires to be a writer and is imprisoned with a safe-robber and a monk. His cellmates appear to him to be the perfect topic for a novel. Critic Jan Slodowki described the film as "a study in isolation told through the three voices of three people condemned to be with each other; among them, the writer, a maturing artist, his gaze fixed on himself, proves the central figure."

1984 PISMAK / WRITE AND FIGHT (screenplay by Wladyslaw Terlecki based on his own novel) - Set in a prison during World War I, the film centers on a journalist who aspires to be a writer and is imprisoned with a safe-robber and a monk. His cellmates appear to him to be the perfect topic for a novel. Critic Jan Slodowki described the film as "a study in isolation told through the three voices of three people condemned to be with each other; among them, the writer, a maturing artist, his gaze fixed on himself, proves the central figure."

作为社会主义国家的古巴，对中国人来说，既熟悉又陌生，除了古巴传统的拉丁音乐之外，那里有没有摇滚？有没有朋克？我们一无所知，直到2015年，我们第一次踏上古巴的土地，在那里接触到了一群朋克音乐人。这部纪录片经过2015年和2018年两次赴古巴，采访和拍摄了当地三个城市的多支朋克乐队，通过他们的生活、排练和演出，展示了古巴朋克作为音乐人同时也作为普通人的生存状况，同时也回溯了古巴朋克发展的历史。

作为社会主义国家的古巴，对中国人来说，既熟悉又陌生，除了古巴传统的拉丁音乐之外，那里有没有摇滚？有没有朋克？我们一无所知，直到2015年，我们第一次踏上古巴的土地，在那里接触到了一群朋克音乐人。这部纪录片经过2015年和2018年两次赴古巴，采访和拍摄了当地三个城市的多支朋克乐队，通过他们的生活、排练和演出，展示了古巴朋克作为音乐人同时也作为普通人的生存状况，同时也回溯了古巴朋克发展的历史。

86岁的王蒙先生用心打造文化类视频节目《王蒙讲红楼梦》。他首次整合自己71年阅读研究《红楼梦》的精华内容，毫无保留地分享毕生所学，逐章回深入解读情节中蕴含的人生百态，包括人生的酸甜苦辣、艰难险阻、丰富多彩、遗憾无奈、超越之法，以及无常与定数。此外，他还结合自身丰富的人生阅历和渊博学识，广泛引用古往今来世界文学、艺术、音乐和历史知识，讲解风格大气恢弘、纵横驰骋。